Operation Book Club, Part 8

Reading has come in very handy when I’ve been trying to unwind after searching and applying for jobs lately. It relaxes me, it clears my mind, and best of all, there’s no pressure to do it in the first place. There are none of the same expectations from others that come with looking for employment, so I’m free to take as long as I like on a book, and that comes in especially handy when the work in question is a weighty tome like my current read, Bram Stoker’s Dracula. In actual fact, it’s a re-read – I first tackled it for one of my degree modules in 2019, an experience I found myself reflecting on in my book club notes once I’d decided to revisit it:

“I was one of the only people in the class to read this from cover to cover during my Rewriting and Adapting module – all 418 pages of it – but at that time assignments were looming, so I was feeling a certain amount of pressure to absorb every detail. Because of that, the novel felt like a hard slog, like it was never going to end. Eventually, I forced myself to stay in the library until I’d finished it, and I now suspect that that blinded me to some of its finer points. I do remember thinking that its approach to storytelling – its habit of switching between different perspectives and presenting these in epistolary form – was unlike anything I’d seen before. It was a refreshing change from what I normally saw in prose fiction, and it must be worth a reappraisal if I’m writing about it here!”

I scribbled that paragraph at least two weeks ago. Here’s what I wrote when I actually got going on the first chapter a little while later:

“At Page 15 – this book is just as long-winded as I remember! There is a lot of exposition, with nearly every detail of Jonathan’s surroundings and encounters brought vividly to life. This immerses you in the story and builds a clear picture of the danger that awaits him, but it also makes you feel like things aren’t moving very quickly, and you’re sat there willing the chapter to go a little faster.”

Even if you have absolutely no idea what I’m talking about here, you probably get the idea. Yes, Jonathan’s journey to Castle Dracula might be a long and arduous one, but do we have to hear about all of it? I’ve barely even scratched the surface yet!

I’d like to think I’m a fairly resilient reader, so while many might give up at this point, I’m going to press on. It’s true that you should never judge a book by its cover, but it’s also true that you shouldn’t judge it by its first 15 pages, even if they do feel more like 1,500. There are plenty more still to go, and I’m sure they’ll be better, won’t they?

Won’t they?!

Mason

The Last Present, Part 2

You may recall that recently, I started an online BBC Maestro course in writing television drama, presented by Jed Mercurio, the creator of Line of Duty. I got it for Christmas last year, and until the end of September was yet to start it – but now, as I write this post, I’ve made my way through six of the lessons. Of course, I have the advantage of a Creative Writing degree that included modules in screenwriting, but even so, it was fascinating to see Mercurio continue to break each element of the development process down in a way that I could easily record with bullet points. These latest videos covered how to develop ideas into workable projects, and establish whether they are worth spending time on in the long run. Distinguishing between a concept worth pursuing and one I should consider dropping has occasionally been a weakness of mine, so such guidance came in pretty handy – as did the notes that accompanied it.

As I went along, taking in each thing he said, I was thinking more and more about how I could apply it all to a script of my own. I don’t have an idea for anything that might be suitable for the small screen at the moment, but it has got me thinking about whether I could adapt something to it. After all, I’ve written more than my fair share of fragments that have been abandoned largely due to my own insecurities over them, or that were made short but could be expanded in one way or another. Whatever happens, though, it’ll be a good way to distract myself from the occasional pressures of my new job. It’s been going really well, I’m very fortunate to have it, and I know it’ll be invaluable, but it’ll also cause me stress at times (because of my own inexperience, if nothing else). Apart from that, it’ll allow me to write other, non-car-related things, so that I can keep on working towards the versatility as a writer that I’ve always strived for. Now it’s just a question of knowing what to work on – I feel like a mind-mapping exercise might be in order…

Mason

Are You Still Watching?

I’ve had Netflix for at least three years now – and for a man with a particular interest in television and how it’s made, I’m ashamed to say that I haven’t spent nearly enough of that time actually watching it. Not even an international pandemic and the lockdowns therein have prompted me to get a move on, much to Louis’ chagrin. I should clarify that I’m not quite as uncultured as I must immediately look – there’s a lot of film and TV that I have seen. It’s just that much of what I haven’t seen happens to be well-known, including all the latest sensations on the streaming service. For a long time, I could never be quite sure why. It would be oh-so-easy to for me to sit back and press play, so why hadn’t I?

The answer recently hit me when I least expected it. Having finished the latest series of Formula 1: Drive to Survive, I was staring forlornly at the long watch list Louis had compiled for me, comprised of all the things he’d been insisting I devour for goodness knows how long. All things I’d probably enjoy, as countless millions of others had, but just had no motivation to start myself. Most of the things I had watched were either old favourites I’d seen several times, or newcomers not featured on the list. And why? Because I felt no pressure to watch them – they hadn’t been sat there glaring at me with the weight of expectation behind them, I’d simply found and appreciated them of my own accord.

That’s exactly where I think my problem lies. It seems that in 2021, there’s something new we should all be getting our teeth into almost every week – and that if you haven’t watched that film or binged ten episodes of that hot new series, then you’re lagging behind everyone else, out of the loop. There’s suddenly a plethora of pop culture references that will be lost on you if you’re not immediately in the know, and that’s a pretty daunting prospect, at least for me. It’s where the aforementioned pressure comes from, and it’s not much fun at all. Realising what’s been putting me off, though, has given me the perfect approach going forward. If I’m to get the best out of Netflix, I just have to take it at my own pace – even if that means having to put up with more of Louis’ incessant badgering as I prioritise what I want to see, rather than what I feel I need to. He’ll just have to wait a little longer for me to get to Stranger Things.

Mason

Detox Days

After two excellent posts this month by Emily and Alex, I’m back, and for the first time in a while I actually have something worth saying. A week ago, without telling anyone, I entered into a temporary social media detox. I deactivated my Facebook account for three days, turned off all Messenger notifications and looked at Twitter and Instagram as little as possible. I started writing this post then, as I don’t consider this blog to be social media. After all, what you read here is largely all my own work, and as a lot of you will know by now, it’s been an invaluable outlet for my thoughts and feelings over the last five years, so it escaped the cut. I feel I really benefited from the break and, having now finished all my work for the second year of university (madness), I went into it with some new pastimes in mind.

I won’t lie to you, they did still mostly revolve around screen time or Spotify. I finished watching Normal People, searched for some new music I could listen to while concentrating, and even saw The Lego Movie 2 with Louis. Last night, I actually decided to get some use out of my Netflix (which I’m ashamed to say is neglected far too much), and watched one of the countless well-known films I’d never seen before. In this instance, it was the highly entertaining Ocean’s Eleven. Yes, none of these things abandoned technology completely, but I still felt calmer, like some kind of weight I couldn’t quite identify had been lifted. I was talking to Alex about this feeling just the other day, and how even though giving up social media entirely would disconnect me from too many people, I can definitely see why the idea is appealing to others. My little breather has exposed just how much of a difference focusing on yourself, even for a little bit, can make. I’ll certainly think about doing it again when I feel the need – and next time, I might aim for a week off instead of three days!

Mason

 

Lemon Drizzle Cake

I returned to Winchester yesterday morning for the start of my second semester, and I must admit that upon doing so, I found a room that was just a little bit tidier than it was when I left it a month ago (not that it was a pigsty). I often live in a state of what I like to call “organised chaos”, in a room that is somewhat cluttered and yet still easy enough to navigate – in spite of any mess, I still know where everything is. When I entered this room, though, in its current condition, I did for once appreciate just how relaxed and satisfied a totally uncluttered space could make me. Having thrown away most of the paper from last semester that was no longer needed, I could actually see most of my desk, and to preserve this newfound neatness Mum stacked my books at the back of it, right against the wall. This simple touch means that it will be much easier to work on it and move things around it as I please. As I sit at my desk now, typing this, with my phone to my left and a coffee and arrowword book to my right, I am calm, and I know this because of how easily I am writing and how well the words are flowing. This feels like a good omen for the weeks to come.

No matter how comfortable I am here, though, I couldn’t leave Somerset without something to remind me of home. In this instance, I have a lemon drizzle cake Mum lovingly prepared the day before we left. My brother got one to take with him too, although Mum informs me that his is slightly misshapen compared to mine, so I’m going to take that as cast-iron confirmation that I am her favourite son after all. Nobody is more surprised than me that the cake is still with us, and that it hasn’t been completely devoured mere hours after my return. At this moment only one slice is missing, and the entire dish sits obscured from my view – on a table behind me, tightly wrapped in foil – so that I can’t be tempted. So far, the plan is working a treat. It needed to, judging by how quickly I demolished most of the chocolate I received on Christmas Day. For the time being, it waits patiently, while fulfilling two important roles. Not only is it a delicious piece of home baking that will soon be very gratefully received by my stomach, but it is also a reassuring presence that soothes me even further – I know it could potentially be valuable comfort food at a time of need.

Mason

Bolt Upright

The persistent itch that drives me to write something can sometimes be a difficult one to scratch. Many of my new ideas pop into my head at the most inconvenient times, in the dead of night or when I’m already pre-occupied. Otherwise, I can find myself attempting to scrape the bottom of the barrel out of pure desperation, and that only tends to produce mediocre results. I’ve recently come to the realisation that my usual sitting position can’t help matters much either. I write most of these posts slumped on the sofa in the living room, and whilst that might be one of the more comfortable ways of achieving productivity, it’s much better to be sat upright at the kitchen table, as I am right now.

I am level with the laptop keyboard – neither straining upwards nor bending down to reach it. That in turn means that I am relaxed, alert and focused on what I want to say. I recently saw a Facebook post that said:

“If you’re reading this, release your shoulders from your ears, unclench your jaw and remove your tongue from the roof of your mouth. We physically tend to hold onto stress in the least noticeable ways. Relax.”

I took a moment to do all of those things and, sure enough, I did notice a difference. I could breathe easier and felt just a little less weight on my shoulders. It might not be stress that I bottle up when I’m struggling to write on the sofa, but it must surely be the case that sitting at the table with renewed focus has relieved some degree of tension, allowing this post and the ideas within it to flow more freely onto the page. Who would have thought that the kitchen could provide such a useful writing desk?

Mason