Awaiting Reply

You know when I found that note last year – the one that told me I owed myself money – and I had no idea when I wrote it or why? I was reminded of that just a couple of weeks ago, when I started yet another new notebook. Not a personal one, like the one I’m scribbling the first draft of this post in, but a work one with its own pen secured at the side. Yes, its own pen! You know what that means – no more frantic searching when you need to jot down an email address or phone number. Let me tell you, an attached pen is very much a luxury in my line of work. We have a whole box of these books in our office, each with the incorrect branding on the front cover – so they’re just sitting there, empty and (as far as I’m concerned) fair game.

I wasted no time in claiming one for myself, and such is the fast pace of the university careers world that I had to rush it into action immediately. No date. No title. No context. Just a list, seven words long:

“Waiting/Awaiting reply/Approved/Not approved/Withdrawn”.

Nope, no idea. I’ll tell you one thing, though – looking at it reminds me of my online dating attempts!

Mason

The Vault

The coffee shop – two or three weeks ago, or thereabouts – scribbling away…

Damn. I’ve used this notebook for the one thing I vowed I never would – talking shop. Jotting notes from meetings. In the past, that might have ruined it forever, tainted it to such an extent that I couldn’t use it again. It sounds silly, I know, but it’s always been too easy to feel like I’ve failed in my mission to use it for one purpose and one purpose only. But this time I’m ignoring that, pressing on and using it as a starting point instead. Anything will lend itself to a stream of consciousness if you give it a chance. Besides, as I may or may not have admitted to before, I owe it to Liz to put this book to good use, so that it doesn’t suffer the same fate as so many of its predecessors. And it’s no more useful than it is here, in the coffee shop, accompanying me as I slurp my way through a hot chocolate with plump marshmallows. It gives me precious respite from the screen time that dominates my week. I’ve saved it for precisely this moment, too. It’s approximately 4.30pm, and on a Saturday the place closes at 5pm. When they kick me out, I’ll emerge from warmth and sanctuary into chilly November air – but I’ll still be warmed by the twinkle of those familiar, inspiring lights. I love seeing them framed by steamed-up windows. It makes this feel like the cosiest place on Earth.

Christmas is coming!

Mason

Take A Deep Breath

I’ve just received a new notebook. Of course, it’s not my first, and it certainly won’t be my last either, but it is somewhat more precious than those I normally acquire. I tend not to write explicitly about my job, but yesterday, my line manager Liz left for pastures new, and it’s fair to say that all of us in the office are already feeling her absence. She works very hard, but has a habit of injecting a healthy dose of fun and laughter into every day, and never leaves you feeling anything other than 100% supported. Let me tell you, that kind of backing goes a long way – especially if, like me, you put yourself down at nearly every opportunity. I made both that and my gratitude for my hiring clear to her when we said our goodbyes. In return, she told me how well she thought I’d settled in, and how valuable my help had been. It soon turned out that that wasn’t all she had to say, as I discovered when I opened the notebook – a parting gift – upon getting home.

The book itself wasn’t unique to me, because we’d all been given one, but the handwritten message on the first page was. I’m going to leave it here so you can all appreciate it as much as I do. Sometimes we can all benefit hugely from some simple reassurance, no matter who it’s from or what the situation is, and this will certainly put a smile on my face whenever I look at it. Not only do I put myself down a lot, but I’m also constantly concerned about my timekeeping, because it seems like there are always ten Very Important Things to do at any one moment. Priorities are never far from the front of my mind – not to mention how the hell I manage them – but Liz does her best to put my fears at rest here. That’s typical of her.

“Dear Mason,

Enjoy this notebook at work, so you can chuckle each day at the so-called ‘jokes’ at the bottom.*

“Congratulations on all you have achieved in this role so far. Take a deep breath – you are doing far better than you think and you are far smarter than you realise. Don’t forget to fill your diary with your plans for your work each day, then it will remind you to complete it.

All the best, Liz x”.

Mason

*The notebook is both lined and includes questionable one-liners: “My wallet is like an onion. Every time I open it, it makes me cry.”

Operation Book Club, Part 7

A few months ago, I told you that Lara, Nora and I had temporarily put our book club on hold. I also told you that despite that, I’d be continuing solo, making notes on what I was reading even if I had nobody else to show them to. Well, I can tell you now that I’ve kept my word, although it took me a while. My notebook tells me that I started Stardust, which I finished on 27 November, all the way back on April Fool’s Day!

Opening those blank pages and writing by hand has really come in useful so far. I’ve never been all that confident in my abilities as a reviewer, largely because I never feel like I have an opinion that’s detailed enough on anything. I just know, instinctively, whether I like something or not, and I don’t feel much of an inclination to pick it apart. If I want to fill my notebook, though, I have no choice but to jot down a paragraph or two. Wouldn’t want to waste the money I spent on it, would I?

Everything goes down, no matter how scattered or disjointed my thoughts are, because I don’t worry about refining them for an audience. I don’t even worry about Mum or Dad taking the book from my desk and flicking through it (they’d likely struggle to read my handwriting anyway). That takes the pressure off to some extent, so for a long time I was adamant that nobody would see my notes, because it might change the way I looked at them myself if they did. Nevertheless, a conversation with Mum last week got me thinking about whether I should give you a sneak peek as a one-off, so I put a little more thought into my notes this time around.

They’re for the sixth novel I’ve read since the beginning of the book club, Richard Osman’s The Thursday Murder Club. During my recent weekend in Winchester, I fancied some crime fiction, and I wanted to see if Osman’s debut as an author really lived up to all the hype. I also read David Fisher’s Doctor Who: The Androids of Tara during the same period, but I figured my thoughts on that might not be as appealing to non-Whovians! Have a look at these words and see what you think – I definitely wouldn’t complain if you decided to enjoy it as much as I did. I’ve edited my original scribblings slightly for better clarity, but the general verdicts remain the same.

6. The Thursday Murder Club by Richard Osman

Started 02.12.22

This was a fascinating murder mystery which was easy to follow, but still had plenty of depth. There was so much going on that I found I wasn’t even sure who I suspected – or if I suspected anyone at all – but this wasn’t a problem, as it just meant I was able to enjoy the story’s twists and turns without any distractions. I guess you could say I was savouring the journey, rather than concerning myself with the destination too much.

The protagonists are people you truly care about, and reading about the residents of Coopers Chase and the members of the titular club is a delight. Their speech patterns and eccentricities are so relatable and well-observed – I found myself picturing some of my own relatives as I went along – and they’re endearing too, undoubtedly contributing to the book’s overall warmth. There is some room for the reflection on loss and mortality that can accompany old age, but above all, The Thursday Murder Club serves to remind us that every second of life is precious and there to be lived. As long as it’s still in front of us, there’s still time for it to be well and truly grabbed by the horns.

I can’t wait for The Man Who Died Twice!

Finished 15.12.22

Mason

Operation Book Club, Part 6

I just thought I’d let you know that I recently decided to take a break from my book club with Lara and Nora. I did so halfway through Stardust, which I’ve told the girls they can go ahead and discuss without me. As it turns out, not being in that conversation might be a blessing in disguise, since I’d left the novel at a point where I was yet to write a single word about it in my lined red notebook. I bought it almost exactly a year ago with the intention of using it only for my literary observations, and while I had quite a few for the first couple of stories, my notes for this one currently consist only of its title, the name of its author, and the date on which I started reading.

It would be a shame to waste all that paper, so even though I might not have anyone to talk about it with, I’m going to carry on with Stardust regardless. In the absence of regular paid work to establish a 9-5 routine, it might be good to give myself that distraction. Of course, from a creative point of view, it’ll still get those creative juices flowing, even if there are only a few words or sentences. Sometimes the tiniest amount of input is enough to cause a deluge of inspiration, so by the time I do rejoin the girls, I might have more feedback than they bargained for. Beyond that, I’ve bought more than enough notebooks meant for one project that have been condemned to contain passwords and shopping lists for eternity – and I’m determined to save this one from the same fate!

Mason

Operation Book Club, Part 2

Last week, Nora finished To Kill a Mockingbird. Believe it or not, this was bad news, because Lara had finished it before her – meaning that of the three who are currently signed up to our book club, only I am trailing behind. It’s now approximately three weeks since I started, and I’m currently on Chapter 18. There’s still some way to go, but I have promised myself that I will definitely finish the novel within a month – giving me another seven days to hit my target. I don’t want to keep the other two waiting, and I believe that getting through each book relatively promptly will make the whole club concept much easier for us to maintain.

Having said that, though, I need to make sure I don’t feel any pressure in reaching the end. I’ve been guilty of that on the odd page recently, and what that means is that I find myself inadvertently racing through, reminding myself to slow down. I wouldn’t exactly say I’ve been scanning, because I still register what’s going on, but I’m focusing on the destination rather than the journey, and that’s not good for my notes. I’ve really enjoyed writing my thoughts down in my new notebook as and when they occur. Not only is this whole endeavour helping to broaden my horizons as a reader, it’s also challenging me as a writer too. Although only my eyes will see them, confined as they are to private paper, each set of new notes is in effect part of a larger review, and this is useful, because I haven’t always been particularly good at offering a balanced or negative perspective of a book, film or TV series.

As I may have said before, I tend to find something to enjoy in most things unless there’s an obvious reason to dislike it, which isn’t completely ideal if you need to write about its pros and cons. Because of this, I’ve found it handy during Mockingbird to force myself to note down what I did and didn’t like about the sections I’ve finished reading, even if it’s just a few lines for each. If I remember correctly, there are at least another 12 chapters to go, so if I do this for every one going forward, I should have plenty of thoughts to collate when it comes to discussing what I thought with Lara and Nora. I can’t deny, by the way, that most of them are positive, and I can most definitely see why the novel is so widely regarded as a classic. Maybe that’s why I’ve been so slow reading it – I can’t face feeling bereft after I turn the last page!

Mason

Operation Book Club

I’m starting this post in Waterstone’s, a place I often frequent even though I mostly have no intention of buying anything. That’s certainly the case today – I already have an outstanding book to finish (The Hitchhiker’s Guide to the Galaxy, which I bought here last year, and which follows the equally excellent Ready Player One), so there’s no need for me to emerge with any more. And yet the notebooks captivate me. There are all sorts on the shelves, ranging from blank ones, to bullet journals, to those specifically designed for lists or novel planning, and even one containing a Jane Austen witticism a day (just in case you want another reminder that she’s buried in Winchester – I rolled over her grave once).

The possibilities, then, are endless, and every time I’ve bought a new notebook in the past, I’ve done so with the same overriding desire – to make it the starting point for a new, game-changing project. Admittedly, this desire does come with some slight delusions of grandeur. I can’t help imagining myself putting pen to paper on a literary classic for the ages by candlelight like an 18th Century romantic novelist, or scribbling down my memoirs in a book small enough to fit snugly into the sidebag that hangs from my wheelchair.

Judging by my track record with notebooks, neither of those things will happen – and in any case, at this moment I can’t even decide whether I want a big one or a small one. I might have something entirely different in mind for it, though, thanks to a sudden burst of inspiration Lara has unknowingly given to me. In just over a week, I’ll be leaving Winchester – hopefully not for the last time ever – having finished my degree. Over lunch on Monday, Lara, Ben, Alysha, Ryan and I discussed the small matter of how we’ll stay in touch post-uni, and it was Lara who suggested we engage in a book club. I responded very enthusiastically. She said we could put books forward for consideration, and when we’d decided on one, we could obtain a copy, start it on the same day, record our thoughts and share them with each other at the end.

At the moment, only Lara and I are definitely up for it, but I hope others will agree to join, because it could be a great group activity – and it’s given me the perfect purpose for a new notebook. Not only would it allow me to make all the observations I need on what we read, but it’d also mean I could prise my eyes away from a screen for a bit and write the old-fashioned way. I’m sure my handwriting could do with the practice. One of my teachers used to say that reading it was like looking through spiders!

Mason

The Pull, Part 7

Well, July is now officially upon us, and as I sit here writing this I am just over three weeks away from the start of my summer holidays – and beyond that, my great Winchester adventure. In the meantime, however, there is still work to be done, and not just in my day job. There is also the small matter of my poetry project. The titles for my poems are all present and correct – you saw them in “Accordion” – but what form the accompanying material will take is still yet to be seen. I do have some rough opening lines for the first poem, “Time Off For Good Behaviour”, but those were mainly written as an excuse for me to open a new notebook and are therefore likely to change.

Beginning a new notebook of any kind is always a treat for the senses. Everything about it is something to be cherished – the spotless and totally unspoiled cover, the pristine pages that lie within, and every magical indentation your pen makes upon them. The notebook I am using for this particular project came from the University of Winchester itself, and I told myself that it would never go to waste playing host to half-finished ideas. It was therefore set aside for poetry, and that in turn meant that I could not start writing in it properly until yesterday. I will admit that it has been increasingly difficult to resist, sitting patiently on my bedside table, always lingering in the corner of my eye. No matter how big the temptation got, though, I told myself that the end reward would be well worth the wait. I only allowed myself to sign and date the first page, so that everything written in it could form a time capsule I can look back on with fondness in the future.

I wrote the first paragraph of this post yesterday, when I had not yet attempted to change the opening lines I had already composed. I subsequently opened the notebook – and, deciding once and for all that they simply did not work, I crossed them out and started again. The new lines that resulted from this flowed much better and felt less forced. I am planning to show the completed poems to my coursemates before you get to see them here, but I will give you little snippets along the way. Make of these what you will!

For a few precious months, the shackles are off. Lie down in your bed, or feast in your trough.

This freedom’s a nectar you simply can’t waste. Feel every last drop flow through you with haste.

Mason

 

 

The Top Twenty Records Of All Time, Part 2

A little while ago, I gave you the first four of eight songs I’d take away with me to a hypothetical desert island, as all guests do on Desert Island Discs. I promised that the rest would follow in a second post – since it was such a difficult list to devise – along with my chosen book and luxury. There’s no time like the present, so without further ado, I give you all my remaining choices. Songs first!

Just bear in mind that these will be listed from 1 to 4 again, as WordPress doesn’t seem to allow me to enter 5 to 8. I wouldn’t want to confuse you, would I?

  1. “The Boy With The Thorn In His Side” by The Smiths. Like Muse, I knew that The Smiths would be assured of a place here as soon as I started thinking about the lucky eight songs. There are many legendary musical names, such as Lennon and McCartney or Jagger and Richards, that are often grouped together in iconic pairings, but – somewhat bafflingly, in my opinion – singer Morrissey and guitarist Johnny Marr are rarely put up there with them. I view them as the greatest duo in history. The impact they had upon their band was such that when Marr left in 1987, they had no choice but to disband. This is because neither man was expendable, and no incarnation of The Smiths could have survived without either of them. They complimented each other perfectly, despite their differing styles – Morrissey’s melancholic lyrics and delivery shouldn’t match Johnny Marr’s upbeat and chiming riffs on paper, but in reality they were a force to be reckoned with and remain so to this day. Their talents have made Morrissey a legendary lyricist and vocalist – whatever you think of him as a person – and Marr the most distinctive and talented man ever to play guitar. Furthermore, their partnership was an incredibly fruitful one, in spite of the fact that it lasted just five years, from 1982 to 1987. During that period, the band produced four studio albums in quick succession, along with a whole host of compilation records – Hatful of Hollow stands out among these in my eyes – singles and other non-album tracks. You might expect that this level of productivity means there are many gems to choose from in The Smiths’ catalogue, and you’d be right. It was “The Boy With The Thorn In His Side” that eventually won the toss after much deliberation. It’s one of the songs I often find myself retreating to when I’m in a reflective mood, perhaps as a result of sadness or regret. Like many of the group’s tunes, it resonates with me primarily because of its lyrics. They tell a story of misunderstood love, something to which many of us can surely relate (“how can they see the love in our eyes, and say they don’t believe us?”) For reasons I’m not willing to elaborate on, it resonates very clearly with me (not because of “hatred” or “murderous desire”), and every time I hear the song I am transported immediately back to a difficult time. The song is a thing of such beauty, however, that I often overlook the darkness, feeling only the admiration stirred up by such a great piece of art.
  2. “Lift Me Up” by Moby. I have loved dance music for as long as I can remember, and for me Moby is akin to royalty within the genre. His album Play is my second-favourite of all time – when it comes to the albums I consider to be the very best, I always find that they offer something very different to anything else, and that’s usually something I can’t quite put my finger on. I found Play a relaxing and somewhat dreamlike record when I listened to it for the first time – tracks like “Inside” and its biggest hit single “Porcelain” are the best examples of this – but Moby’s interest in other musical styles, such as gospel, also caught my attention. “Lift Me Up”, however, does not actually feature on this album. It would not surface for another six years, until the release of Hotel in 2005, when Moby ventured into the field of alternative rock. My track of choice would be issued as its lead single, becoming a Top 40 hit in the UK. What seals its inclusion on this list, however, is the role it was given a year later as the theme music for ITV’s Formula One coverage. From 2006 to 2008 it formed part of a very prominent soundtrack to my weekends between March and November, so ignoring one of my biggest passions when choosing the music for this selection was simply never going to be an option. This is the first F1 theme tune that I can properly remember hearing from my formative years, and with the exception of Fleetwood Mac’s “The Chain”, it may well be a contender for the very best of all. Hearing it now takes me right back to watching some great seasons unfold – even though ITV would always insist on showing continuous adverts during the race…
  3. Murray Gold’s 2010 arrangement of the Doctor Who theme tune. Continuing on the TV train of thought for a moment, I give you one of the many awesome variations of this iconic show’s signature tune, composed by Gold for the fifth revived series – the first to feature Matt Smith’s Eleventh Doctor. I have chosen this version of the piece mainly because of my fondness for said series and the memories it evokes – described here – but it also stands out because of how it fuses a traditional orchestral arrangement with modern synthesised elements. This combination is, in my eyes, very effective. Although it arguably lacked the grandiosity and clout of the previous exclusively orchestral post-2005 themes, it did convey the start of something new and exciting while also retaining the sense of spooky alien mystery that makes Doctor Who great. A match made in heaven!
  4. “D’You Know What I Mean?” by Oasis. We have now made it to the eighth song on my list, and I have decided to save a slice of rock and roll until last in the form of one of the many barnstormers from Oasis’ Be Here Now album. My mind was made up because of my admiration for this record – the black sheep of the band’s catalogue, slated by fans, critics and Noel Gallagher himself – because it showcases rock star extravagance like no other disc I can think of. Those who enjoy it do so because of the very things that alienated its audience (albeit not before it sold eight million copies) – very long, very loud and excessively over-produced songs. “D’You Know What I Mean?” is the first of these, a bombastic, seven-minute number one hit often cited as one of the album’s saving graces. The moment walls of roaring sonic volume fill my headphones, I feel a sense of euphoria of the kind created by all great anthems. I also see the band as they were at that time, enjoying the peak of their fame and all it had to offer. The critics have said that this was to the detriment of Be Here Now, since it has been described as “over-indulgent and bloated”, but I don’t mind that at all. On every listen I revel in being transported back 21 years to an era where proper rockers like the Gallaghers still roamed free. Sadly, it seems that we can only dream of such people in 2018. On the whole, there seem to be very few true characters entering the music scene, and this makes me even more grateful for albums like Be Here Now and songs like the aforementioned. It’s a great shame they aren’t more widely appreciated, but I hope I can rectify that to some extent by listing one of them here.

Now that all of my songs have been selected, I must choose a book to go with them. I do consider myself highly literate and a keen reader, but although I have read quite a few books in my time, none have really made an impact big enough for them to be included here. The Writer’s Tale by Russell T Davies and Benjamin Cook is the only published one that really comes close, since it provides such a great insight into the production of modern TV and the lives of those who write it, but the one that has been most useful to me is one that is yet to be filled. My definitive choice is my own red Moleskine notebook, bought in Waterstone’s during a lunch break last year, in which I now record the majority of ideas that appear on this blog and in other musings. It goes wherever I go, resting snugly in my wheelchair’s sidebag with a pen accompanying it, and a few weeks ago it served as the receptacle for Christopher’s story during my taster session in Winchester. I can’t wait for it to be with me for many more when the course begins. If it’s going to go with me to a hypothetical island, however, it needs to be much longer – so I’ll take it exactly as it is, with all the notes I’ve already made, but with the minor addition of infinite pages so that it lasts forever. I’m going to be there a long time, after all. That’s doable, right?

Finally, we come onto my luxury, and something I was never in any doubt about. Quite simply, I want a TV – although how you’d connect it on a desert island remains to be seen – capable of showing full live and uninterrupted coverage of every Formula One Grand Prix. The future of Formula One on free-to-air TV is a very prominent issue among fans at the moment, and in the UK, Channel 4 is entering the last year of its three-year deal to broadcast the sport. It would nice to have no worries about losing it from weekend afternoons, and alone on a desert island I wouldn’t have to worry about anyone interrupting the start either!

Mason