Blackout Poetry – Third Time Enabled

You may recall that in a recent post, I alluded to a new writing project that I wasn’t quite ready to talk about yet. Well, I just wanted to update you on exactly what that is, especially because as I write this post, I’m working on my second contribution to it. It’s none other than the excellent Details Magazine, founded and run by Caitlyn, a fellow Winchester student due to graduate this year. Aimed at women aged 14-20, it contains stories from a wide variety of voices and walks of life which always fit a given theme. In the case of the March issue, in which my first piece appeared, the theme was ‘let go and grow’, which we were all free to interpret in any way we wanted.

Naturally, given my current circumstances, I chose to focus on the whirlwind of emotions that letting go of an old job and searching for a new one entails. Beyond that, though, I wanted to emphasise how the written word had helped me to stay focused and develop creatively, particularly through the medium of blackout poetry (which you can find out more about here). As it was my Details debut, I was nervous about how it would be received, and I wondered if my link to the theme was too tenuous, but I needn’t have worried. It went down a treat with Caitlyn and was duly published – and let me tell you, the thrill of seeing my name on a page attached to something I’ve written isn’t a feeling that anything can ever diminish. It only increased my hunger to get involved in the forthcoming April edition with something else that could appeal to an audience beyond the target demographic. As I sit here typing that very thing, I can only hope that I’ve succeeded, but I’ve certainly got a good feeling about it.

If you want to know more about Details, you can visit its website here, or check out its new podcast here. You’ll be glad you did, I promise. And I’m not just saying that because I’m biased!

Mason

Two writing worlds collide! As my poetry portfolio of 150 lines is nearing completion, I’d like to show you one of the poems that will feature in it. I wrote it over the weekend, and although it is untitled at the moment, it serves as an example of blackout poetry. This is created through taking a larger piece of text – perhaps a page from a book, or in this case a stand-alone piece of non-fiction – and isolating totally unrelated words and phrases to use in the poem. I used Charles Simic’s “Dinner At Uncle Boris’s” to write this, looking carefully at different parts of the text to see what could form something strangely cohesive and intriguingly surreal. It will appear as the penultimate poem in my portfolio – I hope you like it as much as my workshop group did yesterday!

“The four of us, out of water glasses,

Eating through our second helping of fly.

I’m full of shit, with a bit of fat underneath.

No guts.

The old guys are reminiscing about the war.

‘You were very good at it,’ my father assured him.

We are all composite characters.

We survive that somehow, the incredible stupidity of our family.

Orgies of self-abuse, our family is a story of endless errors,

Making us all in turn say ‘aaaaaahh’ like a baby doctor.

Of course, we can barely keep our eyes open.

For the moment we have run out of talk.”

Mason