Bum Notes

Ahead of starting my new “Composing Song Lyrics” module next semester, I wanted to do something different here and review the next album I listened to for the first time. That way, I’d have something to go with my review of the film Whiplash, which I posted here at the end of June. It was my birthday on Sunday, and at my request, Louis gave me one of the albums that I needed to plug a conspicuous hole in my vinyl collection – I was missing the final three Oasis records, of which Dig Out Your Soul is the last. Released in 2008, this seventh studio effort was also the seventh consecutive album by the Manchester icons to go to number one in the UK, and their last hurrah before their abrupt split in August 2009. As we have now arrived at the tenth anniversary of the event, it seems apt for me to tackle their last offering now, even if this did come about entirely by coincidence. Louis tells me that he chose Dig Out Your Soul because out of all my missing Oasis albums, “it had the prettiest cover”.

Dad plugged my record player back in – after it had spent the last couple of months in the garage following my return from university – and I listened to the album from start to finish with my notebook to hand. I tried to write something about every song, even if it was just a few words or a single sentence. For the opening track, “Bag It Up”, I wrote “raw, repetitive, lumbering juggernaut of a riff begins the album. Liam’s vocals are crisp but full of attitude.” As I soon discovered, those words presented me with a considerable problem – namely that I could pretty much say the same for every song. I’m not saying that that’s necessarily a bad thing, but as I got further into the album, I struggled to muster anything more adventurous, to the point where it felt like I was scraping the bottom of the barrel out of desperation at times.

I can see the decline in the notes I made. Of “The Turning”, the album’s second song, I was able to say that its opening was “soft and more subdued, with gentle drums and keyboards.” From this point, though, I can tell that I was gradually running out of any kind of valuable insight. All I could offer on “Waiting For The Rapture” was that it was “stylistically similar to the opening track”, and a throwaway reference to the fact that Noel Gallagher apparently wrote it about meeting his wife. It got even worse by the time of “Ain’t Got Nothin'”, another song full of attitude that only received a response of “typical Liam!” from me. I did redeem myself to some extent with certain judgements. I managed to specify that “The Shock of the Lightning” was “a great, unashamedly rock and roll anthem that would have been great to hear live”, and “I’m Outta Time” was a song that seemed to “unknowingly foreshadow” the fate of Oasis itself. Overall, though, my attempt to thoroughly review Dig Out Your Soul fell flat on its face – there were several songs about which I could say nothing at all.

I don’t think that’s a reflection on the quality of the album at all. There are only a select few records I’ve ever heard that I’ve categorically disliked. It’s more a reflection on my own reviewing abilities, and the fact that no matter how hard I tried, I couldn’t get the depth I was looking for. I didn’t feel confident enough to try using any musical terminology either, and the end result was a set of notes that couldn’t have looked less knowledgeable if they’d tried. They’ve given me a reason to go back to the drawing board, but I’m going to look at that as a positive thing. Maybe my upcoming module will give me the insight into the songwriting process that I need to confidently discuss how music is made. At the very least, it’ll allow me to think about adding another string to my writing bow, and including more reviews here. Mum has told me they’d be well worth doing more often, so maybe – for once – I should take her advice on board!

Mason

 

Fade To Black

Towards the end of July, I wrote about a script for a short film that I was gradually developing from a short story I’d written last year, Warm Leather. Knowing how badly I procrastinate, I was doubtful that I’d manage to get it finished anytime soon, but I’m now pleased to report that I’ve broken the habit of a lifetime – I have a complete draft! I typed the words “fade to black” on Tuesday last week, and quickly shared what I’d done with a small group of friends. They may have been slightly biased, but the feedback they gave was largely favourable, so for now I will stick with the draft I have – my next objective is to send it elsewhere and see if I can find some more informed advice.

After so many years of only managing to write snippets of script, it means rather a lot to me to have committed to this one through to the end, even though it’s only 14 pages long (quarter of an hour in length, rather than the half an hour I had anticipated). It’s given me a solid starting point to develop and grow the story where necessary, and if nothing else, it’s been good practice for the “Creating Short Screenplays” module I’m starting in Winchester next semester. I couldn’t be happier with my progress so far, and if I can find the right place to send it next, then who knows? Maybe this won’t be the last update I give you…

Mason

 

The Lip In The Road

You’d think that now I’m rapidly approaching my 22nd birthday, I might be grown-up and mature enough not to overlook the important things in my life – especially not something as important as my wheelchair’s battery level. Sadly, though, it would appear that I still have much to learn, as that’s exactly what I did when going to and from work on Tuesday. The chair had supposedly been on continuous charge since the previous Thursday, when I’d last been out in it, so there was no reason for me to suspect that it would be anything other than full to the brim with power when I clambered aboard in the morning. That was, of course, until I turned it on…

The display told me that I only had five bars of power – two orange, and three red. That meant I had less than half a battery left, and I knew from previous experience that that was even less than it looked. Sure enough, as soon as I’d emerged from the garage and was halfway up the road, I was already down to two red bars – and they were flashing. Trouble seemed to be imminent, but I decided to continue on my way. I knew that the chair wasn’t designed to stop immediately when the last bar vanished, so I phoned Mum to update her, and then my workplace to let them know I would probably be late. The chair had never run flat in Winchester, with all its slopes and inclines, so what could possibly go wrong in the relatively flat Minehead?

The rest of the short journey to work passed at a range of speeds, since the chair tended to get faster and slower again at various points, usually depending on what the pavement was like. Going downhill, I found that gravity definitely helped – at one stage, an old lady with a walking stick moved over to let me past, and rather embarrassingly, I was as slow approaching her as she was approaching me! When I arrived at work, I reiterated my predicament to my colleagues, pulled up to my desk, and switched the chair off, knowing that it sometimes regained power when out of use for a while. Eventually, the time came to have lunch, and in hindsight maybe I should have stayed in the office to eat it, but I wanted some fresh air. Seeing that I had clawed back some additional power, I set off in the direction of the park.

As I had anticipated, I did lose much of that as I sped down the street, but I wasn’t going very far and there was only one road to cross. I’d do that, eat, get back and switch off again so that I would be fine to go home by myself. A foolproof and flawless plan, surely? Well, I was fully convinced that all would be well – until I’d finished my lunch and had to head back across that road again. By that point, the chair was covering most of my route at little more than a crawl – while it was just about still moving, there was no real power behind it. Imagine the true fear I felt, therefore, when I dismounted the kerb and the chair crept into the road at a snail’s pace, with a car approaching in the distance.

It stopped. I carried on, hoping that the camber at the side of the road would quickly flatten out so that I would speed up. Unfortunately, that took what seemed like an eternity, so opting to continue my day in one piece, I got back to the safety of the kerb, switched myself off once again and pondered my next move. I did try crossing at least twice more (with lengthy breaks in between each attempt), but I ultimately decided to give up altogether and send out an SOS. Another two phone calls to the office and Mum led to the latter coming to my rescue a few minutes later.

Once we were home, we set about trying to get to the bottom of the issue, which was still baffling me. I immediately plugged the chair back in upon parking in the garage and, as far as I was concerned, its display wasn’t lying – it was charging. So what was the problem? With some further exploration, Mum soon discovered that, in a nutshell, the charger wasn’t quite plugged in fully. Even though the readout was telling us what we wanted it to, the juice wasn’t going in as it should – so there you go. Everything that happened on that day came from one very small but crucial oversight. I’ll have to triple-check these things from now on, and I’ll make sure I push harder when I’m plugging in too!

Mason